Is Your Music Too Loud?

Denny Burke posted this article on his blog. What do you think?

John Stackhouse penned an article this week for Christianity Today with the apt title, “Memo to Worship Bands: Five sound reasons to lower the volume.” Stackhouse’s central concern is summed up in this sentence: “I find almost every worship band in every church I visit to be too loud—not just a little bit loud, but uncomfortably, even painfully, loud.” He then goes on to give five reasons why worship leaders should turn down the volume

Here are the Five.

First, I know it's breaking the performer's code to say so (the way magicians are never supposed to reveal a secret), but cranking up the volume is just a cheap trick to add energy to a room. The comedic film This Is Spinal Tap showed us all the absurdity of using sheer noise to compensate for a lack of talent. (The knobs on the band members' guitars and amplifiers were modified to go to 11.) Do not compensate for mediocrity by amping it up to MEDIOCRITY.

Second, when your intonation is not very good—and let's face it, most singers and instrumentalists are not anywhere close to being in perfect tune—turning it up only makes it hurt worse. If I hear one more "harmony singer" have trouble deciding whether to hit the major or the minor third and instead split the difference at a scalp-tightening volume, I think my head will split also.

Third, the speakers in most church PA systems cannot take that much energy through their small, old magnets and cones, especially from piano, bass, and kick drum. So we are being pounded with high-powered fluffing and sputtering—which do not induce praise.

Fourth, consider that you might be marginalizing older people, most of whom probably do not like Guns N' Roses volumes at church. And if you suspect older congregants may be secretly delighted behind their tight smiles, ask them. I dare you.

Fifth, let me drop some church history and theology on you. By the time church music matured into Palestrina and Co. in the 16th century, it had become too demanding and ornate for ordinary singers. So Christians went to church to listen to a priest and a choir.

The Protestant Reformation yanked musical worship away from the professionals and put it back in the pews. Luther composed hymns based on popular melodies, including drinking songs. Calvin insisted on taking lyrics from the Psalms. This was music in which almost anyone could participate. The problem today, to be sure, is rarely elaborate music. We could use a little more artistry, in fact, than we usually get with the simplistic and repetitive musical figures of many contemporary worship songs.

He closes by saying this:

Now, I like Palestrina and I like good Christian rock. So, church musicians, if you want to perform a fine song that requires advanced musicianship, by all means do it. We will listen and pray and enjoy it to the glory of God.

But when you are leading us in singing, then lead us in singing. And turn it down so we are not listening to you—or, even worse, merely enduring you. I know that is not what you want to happen. But I am telling you that's what is happening.

John G. Stackhouse Jr. is the Sangwoo Youtong Chee Professor of Theology and Culture at Regent College in Vancouver, Canada